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King Mongkut's summer palace in Phetchaburi is the most visited museum in
the country
Story & photos by THANIN WEERADET
Visitors to Phra Nakhon Khiri, or Khao Wang as the locals call it, are in
for a big treat this year.
 Phra
Nakhon Khiri, the summer palace of
King Rama IV in Phetchaburi province, is one of the most graceful
national museums outside Bangkok and attracts some 430,000 visitors every
year, the highest in the country.
Built atop Khao Wang mountain more than a century ago, the palace still
retains most of its original layout including an expansive garden of
fragrant frangipani and old brick steps. Visiting the palace is a visual joy
and it evokes a sense of history and nostalgia about the life and times of
King Mongkut. It compels us to ask why the king chose this mountain-top, a
short distance from Bangkok,
as the site for his summer palace.
Pathom Rasitanont, the chief curator of the museum since 2001, feels
inspired by King Mongkut and spends his spare time pursuing the legacy he
left behind.
Apart from literary and other talents that he was noted for, the king was
also an accomplished astronomer. The tower he built and the telescope he
used are still in good condition, poignant reminders of his passion for
stars.
Last October marked the 200th anniversary of his birth and to celebrate
the occasion the museum organised a workshop-cum-exhibition on the science
of stars together with recitals of the king's writings, such as the
Mahachataka, an episode from the epic Ramayana, colourful decorations,
lanterns and fireworks. It drew a huge audience.
The turnout was reminiscent of a day three years earlier, not long after
Mr Pathon arrived as curator, when the museum was abuzz with activity as
star-gazers showed up in force to watch meteor Leonid spray the sky with its
fireworks. The day was November 18, 2001.
Mr Pathom is not a native of
Phetchaburi but even as an outsider he can see its huge cultural and
tourism potential. The province is endowed with indigenously developed art
and craft dating back centuries, but they remain obscure through the neglect
of local authorities as well as private and civil organisations.
Famous for its craftsmanship, Phetchaburi is a breeding ground for
artists, but the sad part is that they can't find work at home so they move
elsewhere, to other provinces where there is a ready market for their
talents.
Mr Pathom is trying to stem the tide by enlisting their support and
getting them to run day-long workshops on Phetchaburi 's ancient art and
craft on weekends and public holidays throughout the month of April.
The objective is to take the province's once thriving art and handicraft
industry to the public and revive popular interest in its unique
craftsmanship.
Last year when 15 activities were on offer, the prime target group of
these workshops were provincial students, but unfortunately the turnout
wasn't encouraging because schools had recessed for summer. Although
transport to-and-fro was provided, only novice monks and a few students
showed up initially, then adults joined in. Teachers couldn't hide their
disappointment because they were looking forward to a large turnout.
"It would have been a different story if it was Bangkok. The classes
would have filled in a matter of days," he quipped.
As a national heritage Phetchaburi compares favourably with Ayutthaya
which was Thailand's capital for 417 years, but while the latter lost most
of what it once possessed, Phetchaburi has managed to keep its treasures
intact.
This year, the workshops cover a wide selection of arts including stucco
works, banana sheath carving, gold leaf and glass decoration and others.
Thanks to King Mongkut, his summer palace has fascinating architecture.
It was conceived as the second royal palace after the
Grand
Palace in Bangkok and a temple, Wat Phra Kaew Noi, was also built next
to it. The King initiated the making of floating lanterns and encouraged his
ministers to make them for Visakhabucha Day and label them with the emblem
of their respective ministries. Last year on Visakhabucha Day, the museum
invited government organisations to join religious rites by making
illuminated floating lanterns which make for an exciting spectacle as they
are released into the night sky. And since the palace sits on mountain-top
you can see it from afar.
Mr Pathom wants lantern-making and launching to become an annual feature
of Visakhabucha Day rites in the province.
Among the craftsmanship native to Phetchaburi are stucco works, Thaeng
Yuak (banana sheath carving) and Nang Yai puppet theatre _ performed
exclusively in royal courts in the past _ that once thrived there but has
now found greener pastures elsewhere. Nang Yai uses large-sized hide
carvings and the only place you can enjoy it in Phetchaburi these days is
Wat Phrap Phra Chai. "What a shame," said the curator.
He broached the idea of reviving puppet theatre with local authorities
and performing it on a commercial basis, but they didn't seem interested.
After all, Cha-am and Hua Hin are full of five and four-star hotels and
resorts and only a short drive from the museum. There's a market waiting to
be tapped, he said.
Mr Pathom has great design on tourism in Phetchaburi and wants to turn
the summer palace into a night museum.
"We can present the royal court in a new perspective. After dark we can
illuminate the palace. Visitors arriving there in the evening can enjoy the
cool breeze and walk around the palace for an experience that would be
completely different from day time.
"You can recreate scenes depicting the royal lifestyle and back it up
with light and sound presentation. The night museum can be accomplished at a
cost of 28 million baht," he said.
The palace complex sits on three slopes. The current practice is that on
significant dates and religious days only two of the three buildings are
illuminated, but if it's a festival or His Majesty and members of the royal
family are in the province all three buildings are illumiated at night.
Mr Prathom disclosed that of all the 41 museums in the country, including
the Bangkok National Museum, the one in Phetchaburi drew most visitors,
averaging 430,000 annually, generating some six million baht in gate money.
One of its more popular activities is an event it stages on the first
Friday of February. Recently, it organised a seminar titled "Thung Setthi _
Phetchaburi's Significant Archaeological Sites" at the provincial
university. For those who missed the seminar, an exhibition focusing on the
same topic will be held at the Phra Nakhon Khiri National Museum from this
Sunday until July 31. And on ever public holiday from now until the end of
April, the museum will also stage folk performances, from 1:30am to 2:30pm.
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